Come Home Again by Es Devlin in collaboration with Cartier at The Tate Modern Garden.
What does this tell us about art? is art now a fashion accessory? do aspiring artists have to aspire to collaborate with the rich?
Where in the Tate’s proposal process does it state that Cartier is a preferable collaboration.
How does the Tate think this makes art accessible, relatable.
How to do we challenge these establishments? Can great art be made from a great amount of money?
I am still waiting from the Tate about my proposal.
The Drying Room Blog 